978189714168703.ppadREV_overcast_feb1615   9781897141670he'llThe Western Home, stories by Catherine CooperPeople are FRIGHTENED of themselvesJuanitaRoseLIGHTPedlarPressintheCity3 chairs_REV_emailerskein of days

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December 23, 2014 · News · (No comments) ·

04 Cover.inddSubduction Zone

poems by Emily McGiffin

ISBN 1-897141-66-1, 9781897141663


15 October 2014

 Subduction Zone is a book of meditations on empire — the desires and agendas of empire, and empire’s detritus. From a sweeping panorama of imperial landscapes both classical and modern, it carries us into the troubled natural beauty of the Philippines. Its third and final sequence brings Canadians home, to the manifestations of global technocracy in northwest BC.  |   |  Whether contemplating rain forests in the Visayan Islands or Edward Burtynsky’s photographs, these poems gaze unflinchingly at the exploitation and upheaval that define several millennia of global politics. Their questions are both urgent and intricate. Who are we individually, collectively, in this era of looming ecological collapse? How do we acknowledge the blood on our hands yet bear witness to the beauty that remains? Pteropod is a collection of great integrity and ambition: trenchant, political, shot through with ravishing eroticism and tenderness. Emily McGiffin is poised to become one of the major voices in Canadian poetry.

During the five years that Emily McGiffin lived in northwest BC, she became proficient in the fine art of firewood splitting. She holds an MSc from the University of London and has worked and studied in Italy, Sierra Leone and the Philippines. Her poetry, essays, reviews and journalistic articles, widely published in magazines across Canada, have most recently appeared in Arc Poetry Magazine and Contemporary Verse 2Between Dusk and Night, her first poetry collection, was a finalist for the Raymond Souster Award and the Canadian Authors’ Association Poetry Prize. She currently lives in Toronto where she is a PhD student at York University.

October 13, 2014 · News · (No comments) ·

9781897141656Be regular and orderly in your life, so that you may be violent and original in your work.  —Gustave Flaubert


How You Were Born

short fiction by Kate Cayley

ISBN 1-897141-65-3, 9781897141656


15 October 2014 release

How You Were Born is a collection of stories that investigate the bizarre, the tragi-comic and the unbelievable elements that run through human lives. An aging academic becomes convinced that he is haunted by his double. Two children believe their neighbours are war criminals in hiding. A dwarf in a circus dreams of a perfect wedding. An eleven-year-old girl becomes obsessed with the acrobat who visits her small town. Two women fall in love over a painting of the apocalypse. A group of siblings put their senile Holocaust survivor father into institutional care, while failing to notice that he is reliving the past. Each story examines, from a different angle, the difficult business of love, loyalty and memory. With elegance and restraint, in spare language, these narratives run the gamut from realistic to uncanny, from ordinary epiphanies to extremities of experience. Settings range from present-day Toronto, to small town Ontario in 1914, to West Virginia in 1967, characters ranging from the very young to the very old, the manifestly unhinged to the ostensibly sane. These are dark stories in which light finds a foothold, and in which connections, frequently missed or mislaid, offer redemption.

Kate Cayley’s poetry and short stories have appeared in literary magazines across the country. Her play, After Akhmatova, was produced by Tarragon Theatre, where she is a playwright-in-residence, and a young adult novel, The Hangman in the Mirror, was published by Annick Press in 2011. Last year Brick Books published her first poetry collection, When This World Comes to an EndHow You Were Born is Cayley’s first collection of short fiction.

October 13, 2014 · News · (No comments) ·



Stan Dragland is a talented, prolific, critically acclaimed and widely respected author who recently wrote Deep Too, a book full of penis jokes, a feminist text that rises above stereotype and traditional roles, and the either/or choices they so often involve, offering a funny and biting look at male strut and competition. Literary critic, editor, novelist, poet, born and raised in Alberta, Dragland studied at the University of Alberta, where he received a BA and MA, and earned a PhD from Queen’s University. He retired from teaching in 1999 and now lives in St. John’s NL.

The Bricoleur and His Sentences is about reading, and about writing and thinking conducted with an ardent scepticism, a muscular dance between yes and but. On its way to a lively discussion of literary rhetoric and a gathering of sentences illustrating same, this book formulates a bricoleur’s poetics founded in Stan Dragland’s personal experience, both literary and otherwise, and does so in the beloved company of other bricoleurs/bricoleuses—writers like Walter Benjamin, Margaret Avison, Michael Ondaatje, Bobbie Louise Hawkins, Colleen Thibaudeau and Phil Hall. One section details Dragland’s respectful retrospective disengagement from the literary and social theory of non-bricoleur Northrop Frye. The eclectic and heterogeneous ensemble might be summed up in the words with which Cynthia Ozick describes Robert Louis Stevenson’s essay, “Virginibus Puerisque”: “an essay not short, wholly odd, no other like it, custom-made, soliciting the brightness of full attention . . . .” All this is prologue to a fascinating array of sentences drawn from novels, stories, poems, essays, songs and speeches, all grouped in rhetorical categories with the fancy Greek names but each pulling its own literary weight. This is a bricoleur’s assemblage, an assortment of bits gathered from here and there and stored up against the time when they might happen to come in handy for making something new.  |  Dragland’s work is both an essay on bricolage and an exercise in it. Engaging, exciting in a quiet way, the reader is invited into the process, as opposed to being, as in much postmodern writing, the butt of the process. This is metaessay, but the feel is different: not Donald Barthelme, but rather an old-timer showing the reader how he puts together his tables or murals or what have you. Dragland’s essay engages practical and philosophical issues fearlessly, without ever losing his plain, vernacular-based, Mark Twain-like idiom.


ISBN 978.1.897141.64.9

trade paper, 192 pages, $22

cover art by Sarah Hillock

design by Beth Oberholtzer

printed in Canada by Coach House Printing, Toronto


August 6, 2014 · News · (No comments) ·



The Search for Heinrich Schlögel : Globe & Mail Best 100 Books of 2014, Quill & Quire’s Best Books of 2014, Oprah Editors’ Pick.

At the heart of Martha Baillie’s fragmentary, highly original new novel is an inexplicable event. In 1980, at age 20, Heinrich Schlögel escapes his West German birthplace to hike Baffin Island’s interior. The trip lasts two weeks, but when he returns the year is 2010 and he has not aged a day. His biography, the one we read, comes to us via an amateur archivist (also German, transplanted in Toronto) who has compiled “the Schlögel archive”: letters, photographs, books read, and other bits of ephemera related to the young man. How much of the story is the archivist’s invention? The use of an unreliable narrator has a point here: Baillie is turning the tables on the European, who has taken the place usually held by the “native” as specimen of study. The result is a philosophic, absorbing read on photography, the North, colonialism, ethnography, and the nature of time.”  —Jade Colbert, The Globe & Mail



“Martha Baillie has written a timeless masterpiece. Every page is full of haunting wonderment. Truly, I know of no novel quite like it—it’s a blessing. The Search for Heinrich Schlögel has dreamlike locutions, it tells the most unusual tale, and it brings the margins of the world to us with photographic immediacy. I was completely transported.”  —Howard Norman, author of Next Life Might Be Kinder
Baillie delivers a work of magical realism that captures the experience of postcolonial guilt … and gives voice to a silenced past.   —Starred and boxed Publishers Weekly
The Search for Heinrich Schlögel is utterly distinctive, a fictional biography that drifts so imperceptibly into dream that it’s impossible to tell where the reality of it ends and the fantasy begins. There’s something of Nabokov here, and also something of Rip Van Winkle. Baillie has written an ode to those things that resist time, like a photograph, and those things that relinquish themselves to it, like a painting, resulting in a novel that is itself a little bit of both.   —Kevin Brockmeier, author of The Illumination
Martha Baillie’s extraordinary The Search for Heinrich Schlögel is not quite like any other book I’ve read. It invites us on a hallucinatory journey to the Arctic and through time. It asks us to live with mystery and wonder, which is what a work of art does. If it reminds me of anything, it is the fabulous, shape-shifting novels of the Icelandic writer Sjón.          —Catherine Bush, author of The Rules of Engagement and Accusation
How is it possible to find a person who doesn’t know he’s missing? How can we be   entangled in the world, in history, and live a moral life? Heinrich Schlögel doesn’t give up his secrets easily, but as time collapses and opens, an extraordinary person, and an astonishing reading experience, come into existence. Martha Baillie’s new novel is entirely original, remembered yet created, truthful yet fictional, old, alive and visionary.   —Madeleine Thien, author of Dogs at the Perimeter


July 17, 2014 · News · (No comments) ·