Catherine Cooper’s **The Western Home**

The moody, atmospheric stories are delectable, if richly dark and shadowy (as in 1940s Hollywood: think Double Indemnity or The Postman Always Rings Twice). They’d nestle comfortably on a shelf of literary depictions of the West and hardscrabble rural existence laden with American heavyweights like Edgar Lee Masters’ Spoon River Anthology, Sherwood Anderson’s Winesburg, Ohio, and Cormac McCarthy’s Blood Meridian (not to …